Unique Venetian studio puts d&b Soundscape at the heart of digital renaissance.

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Venice, once the epicentre of culture and commerce - and a work of art in itself - has perhaps enjoyed a more relaxed, touristic reputation over recent decades. However, this medieval city’s influential and entrepreneurial spirit is still very much alive, with new and innovative ventures re-establishing it as a hub for forward-thinking organisations in the creative industries.

Spearheading the city’s creative reawakening is PASE Platform, a unique cultural organization melding together art and technology. Located far from the madding crowds, in the city’s tightly-knit Cannaregio district, PASE is rooted in the local contemporary arts scene, as well as Europe’s wider creative community. Harnessing the collaborative power of artists, designers, technicians and researchers the PASE team have set out to uncover and create experiences from new creative languages and technologies. Among them, and central to its working studio, is the d&b Soundscape.

For PASE co-founders and directors, Victor Nebbiolo di Castri, and Valeria Zane, being at the avant-garde of creative production is no less than a social and artistic obligation. “Recent developments in immersive listening and spatial sound diffusion confirm we must take these advancements into account,” explains Zane. “For creators and the public, we want to support new projects by exploring space and sound in an innovative way. To provide the technology that will take us into a new digital golden age.”

Fundamental to this endeavor is a flexible d&b Soundscape rig - user-friendly and equipped for any type of application, be it pre-production, live performance, or recording. Among PASE’s former residents is Robert Henke, renowned digital music pioneer and performance artist. Before the world premiere of his album, ‘Dust’ at Palazzo Grassi in 2019, Henke spent a week preparing at PASE Platform.

The d&b Soundscape system allowed me to dive really deeply into the details - of the placement of sound sources. For me, it’s just far more rewarding to listen to a complex sound field that is all around me than to listen to a stereo configuration.Robert Henke, Artist

More recently, PASE’s collaboration with the Paris Opera and RATP (the Parisian company for public transport) has resulted in a sonic representation of the city’s famous performing arts venue. An audio project that would ultimately become a headphone experience for travellers passing through the nearby Opéra metro station.

“I went to Paris to record behind the scenes sounds of the opera,” explains Nebbiolo di Castri. “The idea was to create atmospheric recordings that give your everyday commuter unexpected insight into this huge operation that is the opera. Naturally, people tend to associate opera primarily with operatic music but there is so much more going on - like costume creation, set building, even the maintenance of this beautiful building. All these activities create sounds. And it’s those we wanted to capture.”

Nebbiolo di Castri returned to Italy with myriad sound snippets from all corners of the opera; back at PASE Platform he set about laying them out in the room. The recordings were then played back and re-recorded via a centrally fixed microphone, enabling the PASE team to create depth and movement for this compelling headset journey.

We created a double layer for the recording. We used the main Soundscape ring and then placed six loudspeakers really close around the recording microphone to create depth. Soundscape was really great as, by having the speakers around you, you are able to form a sonic landscape. By recording 'in the ring' it's almost like creating pictures and then layering the picture on top of each other to achieve the end result. It's fascinating and highly effective.Victor Nebbiolo di Castri, Director at Pase

As well as utilizing Soundscape for the arrangement of pre-recorded material, PASE also recorded live instruments and voices in the studio, relying on the spatial arrangement of the system to recreate the desired dimension of the final sonic output.

“We also used the same setup and speaker placement to record a flute and opera singer in the studio, to enrich the produced sequences and link them to the fundamentals of opera: classical music and beautiful voices. Using the exact same speaker setup and Soundscape, these recordings merged beautifully into the existing material.”

Between Robert Henke and the Paris Metro project PASE has been busy demonstrating the breadth of creative possibility that Soundscape enables, now and for the future. Naturally the team are delighted with what they are able to achieve and Nebbiolo di Castri is confident in Soundscape’s capabilities and contribution to cultural forms.

Soundscape is not a sound system, it’s an instrument. It drives the way you think about sound and enables you to ‘conduct’ your recordings, like conducting an orchestra.Victor Nebbiolo di Castri

PASE’s endeavors are, without doubt, helping put Venice and d&b Soundscape at the threshold of a golden age in creative audio production. For both Henke and Nebbiolo di Castri, it is perhaps also a quest to bring truth and beauty closer to us all, be it through live improvisation, or recordings of reality. “There must be some beauty,” concludes Henke on his time in Venice. “However you define it. There must be intricate detail…  there must be a moment of being overwhelmed.”

For those wanting to experience ‘Les Secrets de l'Opéra, fear not; the experience will remain available in the Paris Opéra metro station for the next ten years, scheduled to end in 2030. Travelers can step inside PASE’s recordings via QR code, using their own headphones.

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