Psy’s stadium tour hits ‘Gangnam Style’ with d&b GSL.


South Korean superstar Psy, famous for his 2012 mega-hit ‘Gangnam Style’, embarked on a multi-stadium tour of his home country over the summer. Amid record high temperatures, supersized venues and a pumping EDM playlist, the team needed a hardy and technologically advanced solution. They turned to the d&b GSL System, along with ArrayProcessing, to cope with climate changes, climactic K-pop dynamics and challenging acoustics.

Psy’s 2018 dates were the fourth incarnation of his ‘Soaking Wet Show’ series of concerts, so called due to the amount of water sprayed onto the audience to entertain, and beat the sweltering summer heat.

Technological showcase

The 2018 tour drew in thousands of eager fans from across the globe, and spanned no less than six stadiums. Keen to showcase the latest technology, the tour marked the first South Korean outing for the GSL System.

GSL solution

The Seoul-based PA rental company Artmix supplied the GSL loudspeakers. The team rigged fourteen cabinets of d&b GSL8 and two cabinets of GSL12 per side for main L/R system, eight SL-GSUB per side for flown subs, fourteen d&b J8 and two J12 were rigged for outfills.

To meet the LF demand of PSY’s EDM style, Artmix deployed sixteen J-SUB for ground stacks. The deployment of front fill consisted of twelve V8. A D80 amplifier powered the set up.

“Designing the sound system presented some challenges, since each of the stadiums has its unique characteristics, in terms of size, seating layout and distance from FOH to the main stage,” said Artmix’s Audio Director, Sun-Joong Kim. “We decided that our main objective was to tune the system to be as similar as possible, to create an identical sonic response in each venue.”

Hot and humid

Summer in South Korea can be hot and humid. During this tour, temperatures in the region reached some of the highest levels since records began. Kim comments. “… we had to ensure this [weather] didn’t have a negative impact on the sound. Thankfully, one can factor temperature and humidity into d&b Array Processing, so we ran the shows with multiple versions of ArrayProcessing slots, which was so helpful in making everything sound identical both day and night.”

The Artmix team utilised the d&b amp remote control software, R1, to monitor not only levels but also the system’s temperature throughout rehearsals and shows.

The GSL setup minimized the impact on the stage and helped us to focus more on the house sound, which was a triumph.Sun-Joong Kim, FoH sound engineer

Tonal balance

Sun-Joong Kim also served as FOH sound engineer for the tour.

“It’s clear that the GSL System is optimised for large tours like this one,” he says. “Generally, there is an excess amount of low frequency on the main stage when you rig large quantities, but not with GSL. This phenomenon enables us to focus monitors more cleanly. The GSL setup minimized the impact on the stage and helped us to focus more on the house sound, which was a triumph. Utilising flown subs, for instance, we ensured the audience heard more LF throughout the seating region. We achieved the same tone across the huge stadiums.”

When it came to sound, Psy himself had some specific requirements. “He asked me to ensure that the stage, IEM and FOH sound was identical,” says Artmix’s Seung-ho Shin, monitor engineer for the tour. “Psy is not just a singer but also a producer who makes decisions on all aspects of his shows.

“There are lots of times when Psy leaves the main stage and performs on the runway, performing while hearing FOH audio instead of IEM because dance cues with other dancers are mismatched. When he is by himself on the runway, he uses IEM. Therefore, our goal was making the tonal balance and sonic characteristics for both regions as similar as possible without compromising sound pressure and distortion. Having all d&b products for all our wedges as side fill and the main was highly beneficial to achieve this goal.”

Similar applications

Touring and concerts

How d&b prediction and control contained the boom for Boom.

Boom Festival needed powerful, clear sound for its forty thousand-strong audience and multiple stages, but without interference between stages. Sound Engineer Fernando Rodrigues chose d&b ArrayCalc, and NoizCalc alongside the d&b...
read more
Touring and concerts

KSL on the road with Chvrches

FE Live chose the d&b KSL to support pop-synth trio Chvrches’ punchy and loud vocal and electronic mix on the band’s UK tour. The system’s ability to deliver vocal gain and clarity before feedback impressed Chvrches’ FoH Engineer, Paul ‘Gal’...
read more
Touring and concerts

d&b Soundscape springs into Sakanaction

When versatile pop band Sakanaction chose to implement the d&b Soundscape system to enhance their four-night run at the famous Tokyo live music venue, EX Theater Roppongi, they set the scene for the system’s Japanese live concert debut.
read more
Touring and concerts

An Edinburgh Hogmanay to remember.

Edinburgh’s majestic Castle and medieval Old Town offered a magnificent backdrop to Edinburgh’s Hogmanay celebration for thousands of revellers who welcomed the new year immersed in a city centre-wide d&b installation.
read more
Touring and concerts

Bernstein’s “Mass” thrives in d&b Soundscape at Brevard Music Center.

Honoring the intentions of composer Leonard Bernstein, the Artistic Director of the Brevard Music Center Summer Music Festival, Keith Lockhart, set himself a task: to capture the pioneering spirit of a classic performance in a contemporary...
read more
Similar applications
All categories

d&b applications

Mobile application or fixed installation? Indoors or outdoors? Large or small? d&b provides tailored-made solutions for each and every requirement. What is more, the dedicated simulation software optimizes the planning of the system installation.
view all applications